He played numerous guest sets at the notorious Food Club (alongside a.o. Sven Vath, Plastikman, Luke Solomon, …) and after producing some records for the legendary Wally’s Groove World label, he ended up playing in about all clubs around the country, with Ten Days Off 2000 as a shining sherry on top.

Getting older and wiser, the club scene started to bore, so he decided to concentrate on more “artistic” projects, but the call of the pounding beat became strong again after a few years of silence.

He picked it up again, and now does his uncompromised own thing, which finds itself somewhere between techno, minimal and more melodic electronics. It’s a little dark from time to time, the perfect graveyard-hours music for people who’re into the not-so-common, but still very dance-able and groovy.